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Old November 1st, 2005 #1
lawrence dennis
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Default Jews in Art

Creating Jewish-'American' Culture
Quote:
The Jewish visual culture in America is a bridge in its efforts to adopt and adapt to the mainstream. This visual presentation focuses on the origins and development of this 'culture' in the United States.

This first presentation begins with the richness of the Jewish community in Spain, from which the Jews were expelled in 1492. They went to many places, including the New World, arriving in New York a hundred and fifty years later. By the mid-eighteenth century, the Jews established their first American synagogue, in Newport, Rhode Island. An American born Sephardic Jewish silversmith (Myer Myers), who apprenticed under Paul Revere, created rimonim for their Torahs.

In the nineteenth century, a Jewish-American artist and photographer (Solomon Carvalho) accompanied John Fremont on his western expedition seeking a route for the cross-country railroad. Another Jewish-American artist (Moses Ezekiel) fought in the Civil War and studied sculpture in Europe, creating major works for American sites.

By the turn of the twentieth century, some Jewish-American artists went to Europe to study in the School of Paris, and were excited by the avant-garde modernist art in painting, sculpture, and photography. The individual responsible for introducing the most advanced European art to America and for bringing photography to the level of fine art was a Jewish-American artist, Alfred Stieglitz.

Around the same time, the largest influx of Jews to America came from Eastern Europe. Their artworks reflected their memories and their experiences. The Depression and looming war in the 1930s impacted Jewish-American artists in a powerful and poignant way. Their works emphasize the social conditions of that time. Many European Jewish artists found safe haven in the United States during the war, and used their unique approach to highlight the events occurring in those war-torn lands.

This continuing presentation investigates the artworks of Jewish-American artists after World War II. At that time, the international center of art shifted from Paris to New York City and Jewish-American artists were leaders in the new aesthetic movements. From the first female sculptor and president of Artists Equity (Louise Nevelson) to the internationally acclaimed abstract expressionist painters (Mark Rothko, Barnett Newman, Adolph Gottlieb), the frontiers were wide open for new aesthetic approaches. Jewish-American artists were in the forefront, from second generation abstract expressionists (Helen Frankenthaler) to photographers (Diane Arbus, Richard Avedon), to Pop Art (Roy Lichtenstein) and sculpture (George Segal), to the individual thrusts of post-modernism (Ken Aptekar, Ida Applebroog, Barbara Kruger)....
Jewish-'American' Artists
Quote:
This visual program focuses on the historical development of American Jewish artists, such as:

Meyer Myers, an 18th c. goldsmith

Moses Ezekiel, a 19th c. sculptor

Solomon Carvalho, a 19th c. photographer

Henry Mosler, a 19th c. painter


and many different 20th c. painters, sculptors, and video artists, such as:

Alfred Stieglitz, photographer
Sir Jacob Epstein, sculptor
Raphael and Moses Soyer, painters/printmakers
Elie Nadelman, sculptor

Max Weber, painter

Philip Evergood, painter

William Zorach, sculptor

Arthur Szyk, painter/illustrator

Gertrud and Otto Natzlers, ceramicists

Alfred Eisenstadt, journalist photographer

Roman Vishniac, 'Holocaust' photographer

Richard Avedon, fashion photographer

Diane Arbus, photographer
Aaron Siskind, photographer
Ad Reinhardt, painter
Philip Guston, painter
Morris Louis, painter

Jules Olitski, painter

Roy Lichtenstein, painter

Miriam Schapiro, painter

Audrey Flack, painter
Judy Chicago, painter
Jim Dine, painter

Ida Applebroog, painter

Jerome Witkin, painter
Ken Aptekar, painter

These creative individuals all show aspects of their world in their own special way. [Something of an understatement. --L.D.]
Jewish Women Artists
Quote:
This slide lecture examines the various art forms created by Jewish Women artists. Their art reflects their unique life experiences, particularly as they reacted to the culture and the times in which they lived. From painters to sculptors, printmakers and photographers, these artists expressed the best of themselves and their artistic skills. Their art displays their concerns for social equality as well as time bound aesthetic issues, particularly during the Modernist era (1900-1980).

This program consists of works by :

Gertrud Natzler, ceramicist
Anni Albers, weaver

Sonia Delaunay, designer

Louise Nevelson, sculptor
Eva Hesse, sculptor

Painters:
Helen Frankenthaler
Lee Krasner
Frida Kahlo
Miriam Schapiro
Deborah Kass
Ida Applebroog
Judy Chicago
Malcah Zeldis
Nancy Spero
Susan Rothenberg
Audrey Flack

Photographers:
Diane Arbus
Cindy Sherman

Annie Leibovitz


Post-Modernists:
Eleanor Antin
Barbara Kruger
Jenny Snider
__________________

How is the faithful city become an harlot! It was full of judgment: righteousness lodged in it, but now murderers. Thy silver is become dross, thy wine mixed with water. Thy princes are rebellious, and companions of thieves: every one loveth gifts, and followeth after rewards.

Xian WN!

"The Jew can only be understood if it is known what he strives for: ... the destruction of the world.... [it is] the tragedy of Lucifer."

Holy-Hoax Exposed, Hollow-Cost Examined, How Low Cost? (toons)

Last edited by lawrence dennis; November 1st, 2005 at 05:19 AM. Reason: new title
 
Old November 1st, 2005 #2
lawrence dennis
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Default More Jew 'artists' and photographers

Jewish-'American' Artists and Genesis
Quote:
...the varied responses to biblical text by Jewish-American artists.... The artistic approaches reflect and incorporate the cultural milieu and specific experiences of these artists. This presentation includes works by:

Ida Applebroog
Leonard Baskin
Sir Jacob Epstein
Philip Evergood
Helen Frankenthaler
Adolph Gottlieb
Chaim Gross
Philip Guston
Jack Levine
Harry Lieberman
Jacques Lipchitz
Seymour Lipton
Barnett Newman
Archie Rand
Susan Rothenberg
Mark Rothko
Ben Shahn
Miriam Schapiro
Susan Schwalb
Elbert Weinberg
William Zorach
Jewish-'American' Artists & World War II
Quote:
From "The Degenerate Art Show" of 1937 to contemporary times, artworks included are by:

Leonard Baskin
Jonathan Borofsky
Marc Chagall
Judy Chicago
Philip Evergood
Audrey Flack
Leon Golub
Jack Levine
Sol LeWitt
Jacques Lipchitz
Seymour Lipton
Barnett Newman
Abraham Rattner
Larry Rivers
Mark Rothko
George Segal
Ben Shahn
Art Spiegelman
Roman Vishniac
Max Weber
Jerome Witkin

These artists synthesized events through their perspectives, revealing their angst and their unique place in American life.
Jewish-'American' Photographers
Quote:
"Photography is about death," wrote Roland Barthes... For Jewish photographers, this is a powerful and important aspect.

In the early nineteenth century, the first Jewish-American photographer, Solomon Carvalho, was born into a Sephardic family in Charleston, South Carolina. He was a painter and daguerreotypist, best remembered for accompanying John Charles Fremont on his expedition to the West....


In the mid-nineteenth century, in Hoboken, New Jersey, Alfred Stieglitz was born into a family who came from Germany. He was passionately interested in the changing qualities of nature, particularly clouds, and his photographs captured the transcendent characteristic of his environment. He is best remembered for introducing the most advanced European art to America and for bringing photography to the level of fine art.

Paul Strand, who came from a family recently arrived from Bohemia, was a disciple of Stieglitz. His devotion to America and to cultural pluralism was a guidepost in his aesthetic development. In the 1930s, he was strongly affected by conditions in the western United States, and even moreso, by the events in the Eastern Europe. In the 1950s, he was cited as "subversive" and "un-American" by the Attorney General of the United States.

Born in Kovno, Lithuania, Ben Shahn came to America when he was five years old. He trained as a lithographer and became a painter and photographer. In 1932, he discovered the newly created handheld camera, which gave him the opportunity to document the Lower East Side of New York City and its primarily Jewish population. Later in the decade, he employed art to promote social change. Through his photographs around New York and later in rural America, he documented the living conditions in the hope that this kind of visual education would bring about change.

This part begins with the photographs of Roman Vishniac. He took surreptitious photographs throughout Eastern Europe, documenting a life that was soon to disappear. Trained as a biologist, he became a linguist, art historian, and philosopher renowned for his photomicroscopy of living organisms. [Wow! 'Biologist, linguist, art historian, and philosopher,' thanks to a little help from his tribe in academia and media, no doubt. --L.D]


At the same time, a Jewish photographer from West Prussia, Alfred Eisenstaedt served in the German army during World War I. Due to the rise of Naziism, he immigrated to New York in the mid-1930s and became the father of photojournalism. His photographs have reached far greater numbers of people than most other photographers.

Weegee (aka Arthur Fellig) was born in a shtetl in the Ukraine whose population was one-third Jewish, but came to the United States when he was eleven. Pursuing a somewhat different direction, Weegee photographed the seamier side of life in New York City. He took images of auto accidents, disasters, fires, traumas, and the irony of life. He visited Alfred Stieglitz, with whom he shared the role of seeker of invisible images. Stieglitz sought exaltation while Weegee reveled in shock tactics.

One of the photographers Weegee who shared membership with Weegee in the Photo League was Lisettte Model. She was born in Vienna and studied music, before turning to photography. Her photographs were analytical approaches to people "on the edge," especially those at the extremes of economic distress, chronological age, and physical disability....
__________________

How is the faithful city become an harlot! It was full of judgment: righteousness lodged in it, but now murderers. Thy silver is become dross, thy wine mixed with water. Thy princes are rebellious, and companions of thieves: every one loveth gifts, and followeth after rewards.

Xian WN!

"The Jew can only be understood if it is known what he strives for: ... the destruction of the world.... [it is] the tragedy of Lucifer."

Holy-Hoax Exposed, Hollow-Cost Examined, How Low Cost? (toons)
 
Old November 1st, 2005 #3
lawrence dennis
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Default Let's have a look at the artistic genius of jewess Helen Frankenthaler

Helen Frankenthaler
Quote:
One of the defining artists of American Abstract Expressionism, Frankenthaler was born in New York in 1928. Trained at Bennington College and with Wallace Harrison and Hans Hofmann, Frankenthaler is concerned with developing a close relationship between image and surface and with the specifics of the medium of paint. One of Frankenthaler's favored techniques, staining the canvas with the pigment and allowing the different layers to show through, has become a quintessential characteristic of Abstract Expressionism in general, and her work in particular.

CONNECTED BY JOY, 1967-70, Etching with aquatint 16.5 x 21 inches Ed/27, $9,000.

[ Of course, to the untrained (and untrainable) mind of the stupid goy, this might look like three large turds connected with red, yellow, and blue lines. But only the superior jewish brain coupled with advanced aesthetic education can see the subtlety, the hidden beauty, and the ultimate final auction price (after the artists dies). Lest a foolish goy thinks he can produce work of this high caliber, remember that the keen eyes of jew art collectors, jew art critics, jew gallery owners, jew art agents, jew art publishers, and jew curators can immediately spot clumsy gentile attempts to emulate jewish masters. --L.D.]

More of Frankenthaler's artistic genius:



SNOW PINES, 2004
34-color Ukiyo-e woodcut, printed with 16 woodblocks
37.5 x 26 inches Ed/65
$25,000.




Artist:
Helen Frankenthaler Title: Untitled Year: 1996
Medium:
acrylic on paper Size:
76.5 x 58.0 cm


Black Sun Drawing with Red, 1960, oil on paper, 14 x 23"
__________________

How is the faithful city become an harlot! It was full of judgment: righteousness lodged in it, but now murderers. Thy silver is become dross, thy wine mixed with water. Thy princes are rebellious, and companions of thieves: every one loveth gifts, and followeth after rewards.

Xian WN!

"The Jew can only be understood if it is known what he strives for: ... the destruction of the world.... [it is] the tragedy of Lucifer."

Holy-Hoax Exposed, Hollow-Cost Examined, How Low Cost? (toons)

Last edited by lawrence dennis; May 10th, 2006 at 12:49 AM. Reason: corrected broken links
 
Old November 1st, 2005 #4
albion
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Default Arthur Fellig - "Weegee"

Quote:
Weegee photographed the seamier side of life in New York City. He took images of auto accidents, disasters, fires, traumas, and the irony of life.
"Mother and Son"


"This boy was arrested for dressing like a girl", c. 1939
Stephen Cohen Gallery
 
Old November 1st, 2005 #5
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'Man Ray spent much of his time fighting the formal constraints of the visual arts.'

like taste, talent and skill.
 
Old November 2nd, 2005 #6
ThemeOfSadness
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I have found that the simplest way to express to a person not aware of it, the different conceptions of beauty that the White mind and the Jewish mind have is to do a simple google image search.

For the first example,
search
1st) War Memorial
&
and 2nd) WWII Memorial.

For the Jewish example,
search, Holocaust memorial.

The results speak for themselves.
I ask anyone who continues to perpetuate the meme that jews are just like Whites to explain the difference of interpretation of events that happened at the same period in history.
 
Old June 9th, 2006 #7
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Some jew "artists' on this 33 page Stormfront thread-- "jews on the news telling you how to think":
http://www.stormfront.org/forum/show...ht=jann+wenner
 
Old June 23rd, 2006 #8
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Missing the actual sculpture of a head, one of Britain's most prestigious art galleries, the Royal Academy, put on display the slate plinth and piece of wood which merely propped up the sculpture in it's 2006 summer exhibition in London.

The academy explained the error by saying the plinth and the head were sent to the exhibitors separately.

http://entertainment.timesonline.co....226219,00.html
 
Old July 4th, 2007 #9
lawrence dennis
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Default Debauched Jew Amedeo Modigliani abused alcohol, abused drugs, abused art

Behold the "genius" of drug-addicted Jew Modigliani:

Original image at: http://mushecht.haifa.ac.il/hecht/pi...ion/p-226c.jpg

More of this "genius" here: http://images.google.com/images?svnu...=Search+Images

Rats' teeth and empty eyes
Is Modigliani really anything more than a caricaturist? By Adrian Searle
Quote:
I cannot like Amedeo Modigliani, whom I rarely think about; when I do, he only irritates me. Confronted by his work, I find myself moving on to something else as quickly as I can. He's like an unfortunate acquaintance one can never entirely shrug off. Drunken, ranting and stoned on one thing or another--add hash, coke, ether and opium to the alcohol--Modigliani, the archetypal cursed artist, the peintre maudit, rattled round Paris, between studios, salons, bars and lovers from 1906, when he arrived from Livorno, until his death, from tubercular meningitis, in 1920. Oh God, here comes Modi, you can hear half Paris muttering as he hove into view....
What a handsome fellow this Sephardic Jew was:

http://upload.wikimedia.org/wikipedi...gliani_004.jpg

He is the subject of a recent biopic, no doubt detailing his "genius" for all the world to admire: http://imdb.com/title/tt0367188/

From wikipedia:
Amedeo Modigliani
Quote:
...

In Modigliani's art, there is evidence of the influence of primitive art from Africa and Cambodia which he may have seen in the Musée de l'Homme ... A possible interest in African tribal masks seems to be evident in his portraits. In both his painting and sculpture, the sitters' faces resemble ancient Egyptian painting in their flat and mask-like appearance, with distinctive almond eyes, pursed mouths, twisted noses, and elongated necks....

From a conservative bourgeois background, Hébuterne was renounced by her devout Roman Catholic family for her liaison with the painter, whom they saw as little more than a debauched derelict, and, worse yet, a Jew. Despite her family's objections, soon they were living together, and although Hébuterne was the love of his life, their public scenes became more renowned than Modigliani's individual drunken exhibitions....

During his lifetime he sold a number of his works, but never for any great amount of money. What funds he did receive soon vanished for his habits....

Although he continued to paint, Modigliani's health was deteriorating rapidly, and his alcohol-induced blackouts became more frequent.
In 1920, after not hearing from him for several days, his downstairs neighbor checked on the family and found Modigliani in bed delirious and holding onto Hébuterne who was nearly nine months pregnant. They summoned a doctor, but little could be done because Modigliani was dying of the then-incurable disease tubercular meningitis. Modigliani died on January 24, 1920. There was an enormous funeral, attended by many from the artistic communities in Montmartre and Montparnasse. Hébuterne was taken to her parents' home, where, inconsolable, she threw herself out of a fifth-floor window two days after Modigliani's death, killing herself and her unborn child....


Modigliani died penniless and destitute—managing only one solo exhibition in his life and giving his work away in exchange for meals in restaurants. Had he lived through the 1920s when American buyers flooded Paris, his fortunes might well have changed. Since his death his reputation has soared. Nine novels, a play, a documentary and three feature films have been devoted to his life.
Wow, what a "legacy," eh?
__________________

How is the faithful city become an harlot! It was full of judgment: righteousness lodged in it, but now murderers. Thy silver is become dross, thy wine mixed with water. Thy princes are rebellious, and companions of thieves: every one loveth gifts, and followeth after rewards.

Xian WN!

"The Jew can only be understood if it is known what he strives for: ... the destruction of the world.... [it is] the tragedy of Lucifer."

Holy-Hoax Exposed, Hollow-Cost Examined, How Low Cost? (toons)
 
Old July 4th, 2007 #10
lawrence dennis
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Default List of Jewish "Painters"

Here is a list of Jewish "painters" from wikipedia:

------------
ABCDFGHIJKLMNOPRSTUWYZ=====================


And a list of Jewish visual "artists":

---------
ACEGKLMRS
__________________

How is the faithful city become an harlot! It was full of judgment: righteousness lodged in it, but now murderers. Thy silver is become dross, thy wine mixed with water. Thy princes are rebellious, and companions of thieves: every one loveth gifts, and followeth after rewards.

Xian WN!

"The Jew can only be understood if it is known what he strives for: ... the destruction of the world.... [it is] the tragedy of Lucifer."

Holy-Hoax Exposed, Hollow-Cost Examined, How Low Cost? (toons)
 
Old July 6th, 2007 #11
Chris 14
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Reading through these lists of :[] "artists" I'm struck by how so few of these names are recognizable.

Of course, some :[] media outlet will no doubt go into overdrive to extoll their "greatness" to us unwashed goyim.
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