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Old January 27th, 2013 #1
Alex Linder
Join Date: Nov 2003
Posts: 45,454
Blog Entries: 34
Alex Linder
Default Jews Control the Media
Old January 28th, 2013 #2
Jack Taylor
Join Date: Jan 2013
Posts: 45

At the risk of getting banned, don't mean to disagree with you Alex but all religions control the media. The media isn't allowed to go against any religious or minority values that's why most of the media is so horrible.
Old January 30th, 2013 #3
Join Date: Apr 2004
Posts: 9,703

Originally Posted by Jack Taylor View Post
At the risk of getting banned, don't mean to disagree with you Alex but all religions control the media. The media isn't allowed to go against any religious or minority values that's why most of the media is so horrible.
Jews aren't merely a religion.

Originally Posted by Jack Taylor View Post
The worst thing about jews is their love of other races. They are too afraid of their imaginary desert god yahweh to be loyal to the white race. Jews should have no control over the running of the nation.
Nevermind I understand what I'm dealing with.
Old April 13th, 2013 #4
Jean West
Join Date: Jan 2013
Posts: 476
Jean West
Default Comcast etc.

Cable Giant Comcast Acquires Media Behemoth NBC Universal
Andrew Hamilton
April 12, 2013

Comcast Center, Philadelphia’s tallest skyscraper

Let’s start with a simple proposition: It matters who controls the mass media.

Whites will never win—or survive, for that matter—as long as a monotone mass media, funneled through innumerable channels worldwide 24 hours a day, is opposed only by leaflets, self-published books, six or seven websites blocked by most Internet filters, crudely-produced white power music denied commercial distribution, and a smattering of podcasts and primitive YouTube videos.

In a war, you must realistically assess your enemy’s resources. If you’re serious, you can’t behave as if they don’t matter. This reasoning applies to the mass media, as well, because they are instruments of war—certainly of metapolitical war. In that spirit I will examine a recent modification in the American media (and hence political and cultural) landscape.

The Deal

Having acquired 51% ownership of media conglomerate NBC Universal from General Electric in January 2011, Jewish-owned Comcast completed its purchase of the company in February 2013.

In This Business of Television: The Standard Guide to the Television Industry, 3rd ed. (Watson-Guptill, 2006), authors Howard J. Blumenthal and Oliver R. Goodenough classified the following firms as “The Largest Media Companies” (Chapter 19): NBC Universal, Disney ABC, Viacom, Time Warner, News Corporation (owner of Fox), and Liberty Media.

Comcast was the first company listed in “The Next Level Down” (Chapter 20), the authors observing: “Comcast will certainly grow larger, most likely with a major acquisition. . . . Comcast is poised to become one of the largest U.S. media companies.” (p. 144)

For many years Comcast had been determined to expand its content businesses. In 2004 it failed in an unsolicited effort to buy the Walt Disney Co. for $54 billion, a deal that would have created the world’s largest media company. But with the absorption of NBC Universal, the Roberts family, Comcast’s owners, join the front ranks of America’s media masters.

It would require a great deal of study to fully unravel the puzzling economics of the Comcast merger. While cable companies enjoy tremendous free cash flow thanks to captive customers and government-granted monopolies, they require large capital investments to continuously upgrade technology and expand infrastructure. They almost always carry heavy debt loads necessitating large interest payments. Yet, when Comcast began its acquisition of NBC in 2009, it announced that it would increase its annual dividend by 40% and buy back $3.6 billion worth of its own stock. This was on top of the huge, multibillion dollar outlay required to purchase NBC.

The Roberts Family

Comcast was founded in 1963 by Ralph J. Roberts, who had previously been in the men’s belt and cologne businesses, and two other Jews when they purchased the cable television system in Tupelo, Mississippi, Elvis Presley’s birthplace. The three men reportedly paid $500,000 ($3.8 million today) for the 1,200-subscriber American Cable Systems. And those were the pioneer days of cable, which did not take off in the US until the mid-1980s. Broadcast television was still to dominate the industry for many years to come.

Roberts, now 92, served as Comcast’s CEO for 46 years. He has five children and eight grandchildren by his wife, Suzanne Fleisher, a former actress and playwright he married in 1942. Son Brian L. Roberts, 53, the current president and CEO, has been with the company for many years. He is a strongly-identified Jew. A squash player, he has won several gold and silver medals in Israel’s Maccabiah Games.

Powerful Hollywood movie director Steven Spielberg presented Roberts with his Shoah Foundation’s “Ambassador for Humanity” award for Comcast’s financial and media assistance in inculcating Holocaust ideology. Spielberg was inspired by his own fiction, Schindler’s List (1993), to set up this Foundation.
The director has archived 52,000 Jewish video “testimonials” in 32 languages from 56 countries. The objective is to indoctrinate the public, academics, university students, and schoolchildren about the suffering caused by non-Jewish “xenophobia.”

More than 12,000 secondary school teachers in the U.S. have been trained on Spielberg’s multimedia curriculum, which was developed in conjunction with the Anti-Defamation League and the Yad Vashem Holocaust museum in Jerusalem. Roberts believes strongly that “bigotry, hatred and intolerance” among non-Jews is widespread, and that “television and the internet are incredible platforms to be able to use” to disseminate the Jewish message.

Roberts also serves on the Board of Governors of Los Angeles’ Simon Wiesenthal Center, which in 2004 presented him with its Humanitarian Award. The Wiesenthal Center is an extremely powerful organization with offices around the world that advance Jewish ethnic and Holocaust interests while working ceaselessly to suppress the civil liberties, including free speech rights, of European peoples. Like similar organizations, it exercises enormous influence over government, academia, and media.

Father and son Ralph and Brian Roberts were jointly awarded the 2003 Steven J. Ross Humanitarian of the Year Award by the UJA-Federation of New York (United Jewish Appeal-Federation of Jewish Philanthropies of New York, Inc.), a prominent community organization that raises money for Jews.
The award is named after Brooklyn-born media mogul Steven J. Ross (real name Steven Jay Rechnitz), the man responsible for putting together modern-day media giant Time Warner, where he served as CEO until his death in 1992.

Ross, who began as an undertaker at his father-in-law’s mortuary, in the early 1960s joined Kinney Parking Co., a New York City parking lot operation owned by Jewish gangsters Manny Kimmel and the heirs of Abner “Longy” Zwillman, a member of the National Crime Syndicate and the Jewish assassination squad known as Murder, Inc. Ross became head of the Mafia firm, which in 1962 sold stock to the public under the name Kinney Service Co. He quickly bought numerous other companies, including DC Comics, MAD magazine, a talent agency, and an office cleaning business.

In 1969, Kinney Service Co. bought Warner Brothers, the film studio and record company, for $400 million ($2.5 billion today). Don’t ask how the Mafia parking company accomplished that, even in the Go-Go years of the 1960s. I doubt anyone’s ever done the math, or that it would add up.

After a Forbes magazine article in 1970 hinted at shady accounting practices and links to the Mafia at Kinney, Ross renamed the company Warner Communications and spun off its parking lots and other non-media assets. In 1990 he merged Warner with Time-Life to form Time Warner. Originally billed as a merger of equals, with Ross and Time Inc.’s J. Richard Munro serving as co-CEOs, Munro was out within a year.

This is the man the United Jewish Appeal and Comcast’s Ralph and Brian Roberts honor.

Between 2006 and 2008, Brian Roberts gave more than $76,000 in contributions to Democrats and $13,500 to Republicans. Comcast vice president and top lobbyist David Cohen gave about $180,000 to Democrats in the same period, compared to $12,000 to Republicans. Cohen helped raise more than $6 million for Obama’s 2008 election campaign. During the election cycle, Comcast’s political action committee raised more than $2.5 million. (“Comcast Execs Gave Large Donations to Obama and Democrats,” December, 6, 2009)


Philadelphia-based Comcast is the nation’s largest cable company. It sells cable TV, broadband Internet, and telephone services under the brand name Xfinity to residential and commercial customers in 40 states and Washington, DC. It is the fourth largest home telephone provider in the US. It also sells home security—burglar alarms, surveillance cameras, fire alarm systems, and home automation. In 2012 the company had total assets of $165 billion, revenue of $62.6 billion, and net income of $6.2 billion.

Comcast’s economic power derives from its near-monopoly on cable service to nearly one-third of all US cable households, twice the number of its nearest competitor, Time Warner Cable, and from the monthly fees collected from over 22 million households. The company provides a utility-like service that two-thirds of American households refuse to live without.

Comcast grew slowly for many years by buying other cable companies. By 1988, with just 2 million subscribers, it was the nation’s fifth largest cable company, and by 1994 the third largest. A key milestone occurred in 1997 when Microsoft’s Bill Gates invested $1 billion in the firm, the most Microsoft had ever invested up to that time, without asking anything in return: Gates took only nonvoting stock, did not join the board, and did not ask Comcast to carry any Microsoft products. This caused cable TV companies, the “least likely” competitors of phone companies, to assume the lead in providing Internet access to consumers, according to Brian Roberts. Earlier, Southern cable mogul Ted Turner had also boosted the 28-year-old Roberts by asking him to join Turner Broadcasting System’s board of directors. By Roberts’ own account, he learned a great deal about the industry from this experience.

Comcast has been highly praised by American elites for its anti-white employment practices. But for years it has ranked near the bottom in customer satisfaction surveys, more than once garnering the worst ratings of any company or government agency in the country, including the IRS. Even prior to the acquisition of NBC Universal, Comcast owned a number of cable TV channels. Among the Jewish firm’s properties is TV One, a joint venture with black network Radio One. TV One is a Negro cable and satellite TV channel available to 40 million homes via DirecTV, Comcast, Cox, Charter, Time Warner Cable, AT&T U-Verse, Insight, and other cable television providers.

During Barack Obama’s 2008 presidential campaign, Johnathan [sic] Rodgers, TV One’s black president and CEO, announced that the network planned to break from its usual entertainment programming to provide extensive coverage of the Democratic National Convention in August, although it would not cover the Republican Convention at all. He told reporters: Senator Barack Obama running for president is a huge deal for TV One as it is for the African American community. African Americans have fallen in love with his candidacy, his family . . . we will be covering the Democratic convention all the time. My audience is 93% black. I serve my audience.

Comcast, whose stock trades on the NASDAQ exchange, has different share classes. The two that trade publicly have zero voting rights and 0.1345 votes per share respectively. The third, Class B common stock, does not trade publicly and is held entirely by the Roberts family. It constitutes an undilutable 33 1/3% of the voting power of the total voting power of all classes of common stock. Effectively, it enables the Roberts family to retain control of a publicly-owned corporation by granting it supervoting rights over other shareholders.

NBC Television

The National Broadcasting Company (NBC) was founded in 1926; for half a century, until 1975, it was headed by Russian-born Jew David Sarnoff and his son Robert. It is the oldest major broadcast network in the United States.

For much of its history NBC was owned by the Radio Corporation of America (RCA), a partial owner from the beginning and sole owner from 1932 until RCA’s acquisition by General Electric in 1986. According to one industry authority:
NBC rapidly expanded its network to include more and more radio stations, and by the early 1930s, NBC was successfully operating the two most successful radio networks in the U.S.—NBC Red and NBC Blue. By combining national distribution with a program schedule filled with celebrities (Jack Benny, Burns & Allen, Bob Hope, and many more), the NBC networks easily attracted national advertisers.

The mastermind behind this plan was David Sarnoff, who consistently placed NBC in the role of innovator: first coast-to-coast radio broadcast (1927′s Rose Bowl), first license for a commercial television station (in 1941—now WNBC/New York), first color television broadcast (1953), and so on. For most of the twentieth century, NBC was a leader in network television, local television, network radio, and local radio. It was the very model of a mid-twentieth century media company. (Blumenthal and Goodenough, This Business of Television: The Standard Guide to the Television Industry, p. 130)

In his single-minded drive to dominate American commercial radio, and later television, David Sarnoff ruthlessly crushed white broadcasting pioneers including FM radio inventor Edwin H. Armstrong, who was forced to devote more than 90 percent of his time to grappling with RCA lawsuits (ultimately culminating in his suicide), and Philo T. Farnsworth, inventor of the first all-electronic television system. As noted on the dust jacket of Evan I. Schwartz’s The Last Lone Inventor: A Tale of Genius, Deceit, and the Birth of Television (HarperCollins, 2002), “Determined to control television the way he monopolized radio—by owning all the royalty-producing patents—Sarnoff, from the lofty heights of his office in a New York skyscraper, devised a plan to claim credit for Farnsworth’s designs.”

Schwartz also notes, “The average American watches more than four hours every day, with the rest of the world not far behind, making television humankind’s dominant leisure ‘activity’ and its window to a world that has become a house of mirrors.” (p. 299)

For more than two decades, NBC and CBS (controlled by the Jew William Paley) dominated radio programming in the US and, after WWII, television. In fact, all three television networks in the broadcast era were Jewish-run: CBS, NBC, and ABC. The American Broadcasting Company, headed by Leonard Goldenson, resulted from FCC anti-monopoly decrees against the NBC radio network. The FCC’s action forced Sarnoff to divest NBC Blue, which became ABC. It is instructive that even though legal and government efforts occasionally rearrange the media deck chairs, ultimate power somehow always remains in Jewish hands. The same applies to market “competition.”

In the past few years NBC News has been accused of at least five different fraudulent edits to make political conservatives look bad.

911 audio tape of neighborhood watchman George Zimmerman (a Mestizo falsely reported by the American media to be white) was altered to imply a racial motivation in the killing of Negro Trayvon Martin in Florida. NBC is currently being sued by Zimmerman, who says the network deliberately and maliciously edited audio tape to make him look like a racist.

During the recent Republican primary, video of Texas Governor Rick Perry was edited to make him look racist.

In 2009, NBC reporter Contessa Brewer edited a photo to hide the fact that a gun-carrying Tea Partier was African, not white.
Coverage of a town council meeting was edited to suggest that a parent of a Newtown, Connecticut murder victim was heckled by a Second Amendment supporter.

And, during the 2012 presidential campaign, Jewish TV correspondent Andrea Mitchell, the wife of former Federal Reserve Board chairman Alan Greenspan, ridiculed an edited tape of Mitt Romney to suggest a stupid gaffe by the white candidate where none had occurred. (In 2008 she called rural Virginia voters “rednecks” on the air.)

But mendacious news coverage is just one problem posed by television. Anti-white and Left-wing views are promulgated, sometimes subtly, sometimes blatantly, through television commercials and entertainment programming as well. The continuous purveying of hatred has become virtually de rigeur.

NBC’s reach is global. Spanish-language subsidiary Telemundo is the second-largest Spanish-language content producer in the world, and the second-largest Spanish-language network in the United States behind Univision. NBC’s broadcasts are seen in most of Canada over cable and satellite, but also over the air near the border. This same pattern applies to Mexico.

NBC Europe and its successor companies are pan-European cable networks available throughout the Continent. CNBC Europe is the most-viewed pan-European business and financial news television channel; it can be seen throughout Europe, the Middle East, and Africa.

CNBC Asia, a similar channel for Asia, Australia, and New Zealand, is headquartered in Singapore. The Seven Network in Australia maintains close ties with NBC and has used a majority of that network’s imaging and slogans since the 1970s.

NBC Universal’s movies and TV shows are also sold individually throughout the world.

Universal Studios

Universal Studios was merged into NBC in 2004, while General Electric owned the television network. Universal was a major Jewish studio in Hollywood during the 1930s, ’40s, and ’50s, buoyed financially by its popular horror films, W. C. Fields and Abbott and Costello comedies, glossy soap operas, and Doris Day-Rock Hudson bedroom farces. Founded in 1912 by 5′ 2″ German-born Jew Carl Laemmle, it is the oldest movie studio in the US and the fourth oldest in the world.

Ironically in light of Jews’ present-day moralistic grandstanding about intellectual property rights—a means of maintaining monopoly control of the mass media, even enlisting the FBI, Homeland Security, Interpol, police, and courts to back up their power—Laemmle was a leader among early Jewish movie producers in violating Thomas Edison’s patent rights, thereby ultimately placing control of the nascent motion picture industry in Jewish hands. This was one reason he established Universal City, a 230-acre studio backlot-municipality in California’s San Fernando Valley in 1915. He put his son and successor Carl Laemmle, Jr. on the Universal payroll along with 70 other relatives.

In 1928, using sharp business practices, Universal and a Jew named Charles Mintz attempted to chisel a young, unknown, half-Irish animator named Walt Disney out of contractually agreed to fees after he had created a popular cartoon character for the studio called Oswald the Lucky Rabbit. Disney ate his losses and created Mickey Mouse and founded Walt Disney Studios.

Since the 1970s, Universal’s hits have included Steven Spielberg’s movies and the racist Inglourious Basterds (2009), highly praised by ADL head Abraham Foxman and hailed as a “Jewish wet dream” by its Jewish producer, Lawrence Bender. Both men loved the movie because it featured Jews and Americans graphically murdering Germans.

Subsidiary Universal Television produces TV series for NBC, as well as other channels and networks. Jewish executive Jeffrey Zucker, the President and CEO of NBC Universal under GE, left the company to become President of CNN Worldwide after the merger. He has been replaced by Comcast executive Steve Burke, an Irish Catholic.

Burke was formerly employed by Jewish media companies Disney and ABC. He and his father Daniel, also a broadcast executive, have longstanding ties with philo-Semitic billionaire Warren Buffett. Two key executives immediately under Burke are Jews: Robert Greenblatt, chairman of NBC Entertainment (who actually selects the network’s programs), and Mark Lazarus, chairman of NBC Sports.

The Media Monolith

Comcast-NBC, of course, is just one company. What must be meaningfully countered are racist and ideological messages—anti-white, anti-family, anti-Christian, globalist, illiberal—pouring forth continuously, 24 hours a day, to billions of viewers worldwide. To illustrate, in a March 2013 presentation, Brian Roberts referred to a Comcast product, On Demand. I am not familiar with it. He said, in part: “In the past 10 years since we launched On Demand, we’ve had 30 billion views of On Demand content. We have 400 million a month, it’s an all-time high, with 100,000 TV and movie choices on all platforms.”

Again, this is just one company—and one product of one company. That is what we’re up against. Virtually none of the content is pro-white, or culturally conservative. Much of it is doubtless extremely insidious, even vicious, in nature.

Nor is that all. Institutionalized discrimination, the malevolent
behavior of schools, colleges, and governments, discriminatory laws, Left-wing domestic terrorists who with impunity bomb the Institute for Historical Review and Ernst Zündel’s home in Canada and physically assault Zündel, the late attorney Douglas Christie, French revisionist Robert Faurisson, historian David Irving, and many others, the suppression of websites, refusal to publish or distribute books, music, or videos through ordinary business channels, and legal suppression of freedom of speech and association also must be considered and dealt with.

It makes no sense to scratch one’s head, perplexed, wondering, “Why don’t whites wake up?” That’s not the way the world works. Everything boils down to this one-sided power distribution. Therefore, a much better question would be: “How can whites wake up, or accomplish anything major, until such an unequal and impossible state of affairs is redressed?”

It is pointless to avoid thinking about this, about the massive infrastructure that perpetuates the present injustice, hatred, racism, violence, and evil.
Old August 10th, 2013 #5
Jean West
Join Date: Jan 2013
Posts: 476
Jean West

The big news on the Comcast (Xfinity) web page yesterday was Joy Behar's tearful departure from The View, where she was one of the original (17-years) panel members. I've never watched The View, nor have I watched The Talk, which is mentioned in the paragraph below:
ABC hasn't named a replacement for Behar. The network recently said Jenny McCarthy would replace Elisabeth Hasselbeck, who left for a job at Fox News Channel. Producers face another big decision next year when Walters retires.

The changes will give "The View" a chance to reach out to a younger audience. The median age of a typical viewer is 61.6 years old, according to the Nielsen company. That's about two years older than "The Talk," the CBS lookalike show that has had a particularly strong summer. "The Talk" has recorded four of its six most-watched weeks on the air during this summer.
I decided to see who the panel members were for The Talk, and this is what I found:

Producer and co-host Sara Gilbert - born Sara Rebecca Abeles- both parents Jewish, gay partner Jewish

Julie Chen - Asian married to Leslie Moonves, Jewish CEO of CBS, great nephew of David Ben Gurion

Sheryl Underwood - Black

Aisha Tyler - Black

Sharon Osbourne - born Sharon Rachel Arden, father "Arden" born Levy

There was a surprise in store for me in doing this research, which was that the biological parents of Melissa Gilbert, who played Laura Ingalls Wilder in Little House, were not Jewish; it was her adoptive mother who was Jewish and who raised Melissa in the Jewish religion, which she no longer practises (her three husbands have not been Jewish).
Old August 17th, 2013 #6
Jean West
Join Date: Jan 2013
Posts: 476
Jean West
Default John Leo: Time Warner

The Seattle Times
March 21, 1995

Time Warner Sees Profit In U.S. Cultural Collapse
By John Leo

WHICH corporation is doing the most to lower standards and further degrade what's left of American culture? When this question came up at a New York dinner party last summer, there was a vote or two for Viacom and Paramount, a lot of talk about Madonna, and strong support for Rupert Murdoch's Fox Network, with its lineup of increasingly moronic sitcoms for the cognitively challenged. After an hour or so of good-natured wrangling, we had a consensus winner: Time Warner. Here's how to reach this rather obvious conclusion on your own: Whenever a new low is reached in the culture, check for the corporate name behind it. With amazing frequency it will be Time Warner.

The schlocky Jenny Jones show, the first show on which a guest who was set up to be humiliated later was charged with murdering his humiliator, is a Time Warner product. The most degrading commercial picture book about human sexuality may be Madonna's $49 porn book, which, I am told, pictorially indicates that she is game to have sex with everything but babies and folding chairs. It was published by Time Warner, and (surprise!) chosen as an alternate selection by Time Warner's once-respectable Book of the Month Club.

In the movies the all-time low for cynicism and historical lies (Oliver Stone's "JFK") and for graphic, wholesale serial killing presented as fun (Oliver Stone's "Natural Born Killers") were both produced by Warner. In the category of movie nihilism for children, my vote goes to Warner's "Batman Returns," a dark and sadomasochistic film pushed hard to kids through a tie-in with McDonald's.

But it's in the music field that Time Warner does most of its damage. Dr. C. Delores Tucker, chair of the National Congress of Black Women, says Time Warner is "one of the greatest perpetrators of this cultural garbage." She may be understating the case. From the rise of 2 Live Crew and Metallica through the national uproar over Ice-T's cop-killing lyrics, down to Snoop Doggy Dog, Nine Inch Nails and Tupac Shakur, the sprawling Time Warner musical empire has been associated one way or another with most of the high-profile, high-profit acts, black and white, that are pumping nihilism into the culture.

Like a junkie quivering toward a fix, Time Warner simply can't resist cashing in on the relentlessly amoral singers who work tirelessly to tear the culture apart, glorifying brutality, violence, and the most hateful attitudes toward women the public culture has ever seen, ranging from rape to torture and murder.

After the Ice-T fiasco, Time Warner pulled in its horns a bit and turned down a few recordings, including one about a killer stalking President Bush. But those feeble PR-oriented efforts were in areas where the pressure was coming from: police and public officials. The company did nothing about the woman-hating, racism and all-around mayhem.

In fact, Time Warner companies have worked to lower the already low standards in the field. When BMG and Sony balked at signing the loathsome Dr. Dre, a Time Warner affiliated company, Interscope, was there to sign him. When David Geffen refused to sign the out-of-control Geto Boys (who sing lyrically about slitting women's throats and cutting off their breasts), a Time Warner label picked them up. It helps to have a fat checkbook and no standards.

Last week, Time Warner bought another chunk of Interscope, the hottest record company around, and now owns 50 percent. This is the cultural equivalent of owning half of the world's mustard-gas factories. One Interscope talent, Nine Inch Nails, seems to specialize in meditations on self-loathing, sexual obsession, torture, suicide and dismemberment. Another huge seller, Dr. Dre, is author of the immortal line: "Rat-a-tat and a tat like that/Never hesitate to put a nigga on his back," which author Nathan McCall says is "Plain and simple . . . a boastful call for black men to kill each other."

Time Warner puts out a lot of benign or harmless music too. But it makes huge profits by bombarding the young with destructive messages. The company and its president-CEO, Gerald Levin, commonly try to wrap themselves in the flag, pointing piously to the First Amendment and artistic freedom.

But as The New Republic pointed out during the Ice-T uproar, "The contents of American culture cannot be hidden behind the freedom of American culture." There is more to say about the convulsions of the culture than just to point out that singers can sing whatever they wish, and companies can sell whatever they wish.

We are living through a cultural collapse, and major corporations are presiding over that collapse and grabbing everything they can on the way down. Time Inc. was a respectable and socially responsible company only seven or eight years ago. Now it's an anything-goes corporation that refuses to look at any of the larger social implications of what it is selling. Along the way, the company has put its own magazines in an awkward position; they are hardly in a position to report honestly on what Time Warner is doing to the culture. It's a mess, and it ought to come up in an organized way at every stockholders' meeting.

(c) 1995 Seattle Times Company, All Rights Reserved.
Old May 3rd, 2015 #7
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Default BBC : Maybe they should rename it the HebeBC.


Alan Yentob – The guy who decides what you see on the BBC.

Today I have a quiz for you. Take a look at the guy above and try to work out whether he’s more likely to be a descendant of (a) legendary BBC founder Lord Reith, or (b) a pickpocket from the Baghdad Bazaar.

Well done if you chose the latter. For Alan Yetob’s parents were Jews who fled Baghdad – possibly with a furious horde of recently-bilked Muslims in hot pursuit – choosing England as their new host.

Fast-forward a few decades and he’s been magicked into what the London Independent describes as ‘the guy who decides what you’ll see on the BBC‘. You may well ask what accounts for his achieving this unique position at the apogee of British society.

We can all agree he didn’t get it on his looks.(‘Would you buy a used car from this man?’). Nor on his journalistic integrity. You see he was caught faking interviews, possibly the gravest offence open to a TV producer. But far from ending his career, as it would had he been for example Lord Reith’s grandson, he amazed everyone and actually got promoted instead. Really. This remarkable escape seems to have inculcated – with justification – a sense of invincibility as he subsequently awarded himself, on top of his salary as full-time BBC Creative Director, an additional £183,000 a year for presenting the Imagine programme. He also – somehow – has managed to acquire a pension pot worth £6 million. Not bad for a humble public servant, is it? And by the way it’s apparently anti-Semitic, potentially leading to another Holocau$t™ , to question any of this.

So if we can rule out journalistic integrity and general probity maybe it was the quality of his programming then? Actually… Because his programmes’ only attribute is their well-known ability to cure insomnia. When Morpheus, Son Of Sleep, fails to visit and I lie tossing and turning in my four-poster I resort to a tried and tested solution. Turn on a recoding of Yentob’s Arts Profiles……and within minutes my snores resound through the hallowed halls of Chateau Savant.

Maybe Danny Cohen can explain Yentob’s otherwise inexplicable rise. Because Danny’s own rise has been even more spectacular….to the very top position, Director Of Television. And at the tender and unprecedented age of 38. Everyone was astounded at this extraordinary appointment. Well almost everyone. What explains this meteoric rise? Well, earlier he had enhanced the Beeb’s legendary international status with such artistic gems as Snog, Marry, Avoid(Objective: Improve ‘slap addicts’ by stripping them of their makeup and skimpy clothes), Hotter Than My Daughter (which I’ll leave to your imagination) and best of all, Skins. This artistic tour de force followed the lives of Sixth Form (12th Grade) students and celebrated with them and their dysfunctional families as they drank, fornicated and vomited their way through the show. He also aired a tribute to the notorious paedophile Jimmy Saville even after his child-molesting became public knowledge.

All in the finest traditions of Lord Reith.

Danny Cohen – BBC director of television at just 38 years old.

Danny also ordained – in response to an accusation of partiality – that the BBC ‘is not neutral when it comes to multiculturalism and diversity’. We’d never have guessed that, Danny.

Strangely enough he doesn’t do diversity and multiculturalism in his own life at all, going to Jewish schools and marrying a balabatish.
Maybe this is explained by the legendary Jewish trait of selfless altruism whereby he forgoes the benefits of diversity so that we goys can have even more of it. Or it could have something to do with the fact that Cohens are severely restricted in whom they can marry.

In fact Yentob and Cohen are by now the norm, not the exception as Jews predominate at the commanding heights of the BBC.

We have or had at Controller level Janice Hadlow, Zai Bennett, Richard Klein and Mark (‘I should have done more to make the BBC less white’) Damazer; executive board Member Marcus Paul (married to the daughter of Edmund de Rothschild), Tony Cohen, Alan Bookbinder (Head of Religion and Ethics, no less) Jenny Abramsky and former crypto Director General Greg Dyke who on his appointment in 2001 described the Beeb as ‘hideously White’. Check out Anthony Rueben as well, chosen without competition for the specially-created and very powerful post of Head Of Statistics. To ensure balanced reporting statistics. ROTFL!.

BBC : Maybe they should rename it the HebeBC.

So now this venerable British institution has been transformed into a Jewish-controlled propaganda outlet, a cesspool of anti-White, anti-British, anti-Christian, anti-family and anti-male subversion. And all paid for by the subversion target – the British taxpayer. Bad enough in itself but, due in part to incompetent vibrants being shoehorned into every possible role, the standard of programming has also plummeted with endless re-runs of evil Nazi (shudder) ‘documentaries’ and copies of bottom-of-the-barrel American style dross. No surprise then that its viewers and listeners continue to desert it in droves.

Mark another one down in the Long March Through The Institutions.

Lord Reith must be turning in his grave.
Old December 13th, 2015 #8
Jason Heller
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Jason Heller

Both "Ashkenazi" Jew Cohen and Iraqi Jew Yentob are out of BBC now. It's important to note that Yentob was never that high up in the BBC hierarchy. He was "Creative Director" on the "Executive Team", one step below the "Executive Board" (see

Cohen was higher up: TV director on the Executive Board. It appears he was a typical kike parasite:

The executive board of BBC is apparently free of kikes for the moment (see the first link above).
Old December 13th, 2015 #9
Jason Heller
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Jason Heller
Default "Ashkenazi" Jews completely control the three major networks

NBC is owned by Comcast, which is controlled by kike Brian L. Roberts (mentioned in one of the articles above, see also

The major shareholder and executive chairman of CBS corporation is kike Sumner Redstone and the CEO is kike Leslie Moonves (

ABC is owned by the Walt Disney Company, which has has been completely controlled by kikes for the last two decades. The president and CEO positions have been filled by three kikes since 1995: Bob Iger, Michael Eisner, and Michael Ovitz (
Old December 16th, 2015 #10
Jason Heller
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Jason Heller
Default Rupert Murdoch definitely not a Jew

Rumors have floated around for a long time that Rupert Murdoch is a Jew (specifically that his mother was from a Jewish family). Apparently, these rumors were started by "Candour" magazine in June 1984 (see The rumor was repeated more recently by Richard H. Curtiss in June 2003 in "Washington Report on Middle Eastern Affairs" ( and picked up by Christopher Bollyn.

Murdoch's ancestry is very well documented at The website provides a newspaper scan showing that his grandfather Rupert Greene (father of Rupert Murdoch's mother Elizabeth Joy Greene) was married in a Christian ceremony to Marie Grace de Lancey Forth. The website also provides a newspaper scan showing that his great-grandfather William Henry Greene was married in a Christian ceremony to Fanny Govett.
Old January 11th, 2016 #11
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Jews controlling the media is a big problem isn't it?

Whites should start their own media conglomerates and boycott everything on TV until a White media conglomerate is formed.
Old January 25th, 2017 #12
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CNN’s Top Jew Threatens Trump: “We Shape Your Image”

JANUARY 25, 2017
Donald Trump is making a “mistake” by continuing to have an “adversarial relationship” with CNN because that network “shapes [his] perception in capitals around the world,” the chief Jew in charge of the media giant has warned.

Speaking in an interview with New York magazine, Jeff Zucker, President of CNN Worldwide, an office which oversees CNN, CNN International, HLN (TV channel), and CNN Digital, said that it was “sad” that “the most powerful person in the world is trying to delegitimize journalism.”

Asked for his opinion after Trump refused to take questions from CNN during a recent press conference—and then went on to denounce CNN as a “fake news” outlet—Zucker said that the decision by his media company to give publicity to the fake “Russian dossier” allegations was “newsworthy by any definition.”

CNN has consistently run an openly anti-Trump campaign from the very beginning of the new president’s election campaign, and most recently gave extensive publicity to the blatantly fabricated dossier claiming that Trump had prostitutes in Moscow hotel rooms, among other lurid allegations.

Asked why CNN had published news of this “dossier,” Zucker said it was “a pretty easy call in terms of its news value” and was “newsworthy by any definition.”

Asked why this was so even if the allegations—which included laughable claims that Trump named excrement after Obama—had not been verified, Zucker said that CNN “didn’t pass judgment on the allegations.”

He went on to say that it was “unfortunate that the most powerful person in the world is trying to delegitimize journalism. I think he’s entitled to his opinion, but it’s—to use one of his favorite words—sad.”

Zucker said that the press would “play a much more important role in this administration. Their [the Trump administration’s] willingness and inclination to cherry-pick facts, conflate and inflate things, will make covering this administration very challenging.”

He then went on to boast that CNN had the power to shape the perception of Donald Trump all over the world:

“One of the things I think this administration hasn’t figured out yet is that there’s only one television network that is seen in Beijing, Moscow, Seoul, Tokyo, Pyongyang, Baghdad, Tehran, and Damascus—and that’s CNN.

“The perception of Donald Trump in capitals around the world is shaped, in many ways, by CNN.

“Continuing to have an adversarial relationship with that network is a mistake.”

Asked if Trump’s 20 million plus Twitter following would not counteract CNN, Zucker replied that if the president was

“relying on Twitter to shape his own perception in the capitals of the world then I think he’s making a big mistake.”

* Zucker used to be president of NBCUniversal and was the one who put Trump’s reality TV show, “The Apprentice,” on the air.
Old July 16th, 2017 #14
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Default How The Controlled Media Censors News About Israel And Palestine

July 15, 2017

The controlled media actively blacks outs any news about Israeli atrocities against Palestinians, and the Jewish lobby is actively working behind the scenes to ensure that any objective coverage of the Jewish ethnostate’s activities be banned as “anti-Semitic” and “hate speech,” Alison Weir, director of the Council for the National Interest (CNI) has said.

Writing in an article on the CNI website,
Weir pointed out that Israeli murders of Palestinians are now so common that even the alternative media does not report on them any more.

“An 18-month-old died in Palestine Friday. The cause of death was teargas inhalation from an Israeli invasion of his village two months ago, Weir wrote, continuing:

It wasn’t a major invasion; just another of the routine ones that happen almost every day in the West Bank. U.S. media call these “incursions,” when they bother to mention them. Which is rarely.

The toddler’s name was Abdul-Rahman Mahmoud Barghouthi, a name that feels incongruously long for his short life.

When he was injured, Israeli soldiers held up an ambulance rushing to him, forcing medics to go to his home on foot and carry him back to the ambulance in their arms – a 60 minute round trip.
In the past three months, Israelis have killed 18 Palestinians, including an eight-year-old and 10-year-old, and Palestinians have killed two Israeli soldiers.

So far, I don’t see any US mainstream news media mentioning the end of Abdul-Rahman’s short life, the final two months likely infused with pain.

If an 18-month-old Israeli child had been killed by Palestinians, I suspect there would be headlines, and the President would go on CNN and condemn the killers.

Perhaps Palestinians are killed so often that to the media it’s just not newsworthy, a little like the old saying that ‘dog bites man’ is not news, while ‘man bites dog’ is news.

Israelis killing Palestinian children is not news. However, it is literally news to most Americans, since they so rarely hear about it.

My personal experience in writing about this issue for more than a decade and a half illustrates the very American tale of media omission on Palestine. Just last week another episode showed that the saga continues.
I’ve written about this sort of thing before, on more than one occasion.

A few years later I wrote about Palestinian toddlers killed by Israeli drones, and a few years later about Palestinian children shot in the head.

I wrote stories about dead Palestinian mothers, such as Anatomy Of A Cover-Up: When A Mother Gets Killed Does She Make A Sound? and “Just Another Mother Murdered.” The titles give you the gist.

I could write stories like this over and over, if I could bear it. Because the deaths keep coming, and the misery and the cruelty, and the media keep ignoring so much of it.

And that’s the point of this story. Americans need to know important facts that they aren’t learning in the very filtered reporting we get. We need to know what’s happening in Palestine, and we need to know what’s enabling this in the U.S.

The latter stories are even more covered up.
Until we expose and break through the media bias and omission, the children will keep dying, and the tragedy and carnage and injustice will grow and spread.

In the past I’ve conducted media studies that document the disparity in reporting on Palestinian deaths compared to Israeli deaths, and have deconstructed news reporting. Through the years I’ve periodically written articles describing the flawed system of reporting on Palestine, including a chapter for a Project Censored book on the subject.

This time I’d like to give a few small, personal anecdotes – one from last week.
In 2001 a reporter for the Gannett news chain interviewed me at length about what I had just seen firsthand in Gaza and the West Bank at the height of the
Second Intifada, and about the founding of If Americans Knew.

Gannett is a major chain and this would have been a significant breakthrough for information on Palestine to get to the general public. The reporter sent a photographer to take pictures of me and told me his feature was about to come out.

But it never did. The reporter later told me a higher-up had killed the story, saying it was “missing something.” He hadn’t explained what.

Another time a journalist at the other end of the media scale, a reporter working for a small town newspaper, wrote a similar story about me. It, too, was killed by a higher-up. The reporter told me this was the first time that had ever happened to him.

Awhile later, a letter I had written about Palestine had gone through the usual editorial process and was slated to be published in the Washington Post. At the last minute it, too, was blocked by a superior.

Most recently, Truthout, a progressive website with a large readership that publishes much excellent work, accepted an article I had submitted about government monitoring of Palestine activism. My piece went through the standard editing and fact-checking, and the next day the article was published on the website.

Briefly. It was quickly removed when higher-ups saw it and the staff then told me courteously and apologetically it wasn’t “the right fit for Truthout.”
I asked what this meant, exactly, but haven’t heard back. We’ve now published the article on our blog.

Naturally, news organizations can’t publish everything that’s submitted to them, and all have the right to decide what they will publish and what they won’t.

But it’s unusual for pieces that have gone through the usual channels and passed the standard hurdles to suddenly get killed for unidentified reasons. And it’s disturbing when this fits into a pattern of news filtering that has life and death consequences, and has gone on year after year after year.

Many news media are telling us more than they used to about Palestine, but they continue to leave out important aspects. Sometimes a half truth is a whole lie.

Meanwhile, Israel and its partisans have rewritten the governmental definition of “antisemitism” to include criticism of Israel and embedded this new Israel-centric definition in governments and law enforcement agencies around the world, so that eventually articles like this one may be banned as “hate speech.”
But you won’t learn that in Truthout.


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