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Old March 26th, 2014 #1
Alex Linder
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Default #1 Music Industry Thread

fascinating on pop music and sweden
http://www.psmag.com/navigation/book...fluence-73966/
 
Old July 30th, 2019 #2
Stewart Meadows
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Originally Posted by Alex Linder View Post
fascinating on pop music and sweden
http://www.psmag.com/navigation/book...fluence-73966/
Quote:
At some point over the last 15 years—sometime, say, between the 1999 release of “I Want It That Way” by the Backstreet Boys and last year’s “Roar” by Katy Perry—it became an inescapable fact that if you want to understand American pop music, you pretty much have to understand Sweden.

Songwriters and producers from Stockholm have buttressed the careers of Lady Gaga, Madonna, Usher, Avril Lavigne, Britney Spears, The Backstreet Boys, Pitbull, Taylor Swift, One Direction, Maroon 5, Kelly Clarkson, and any number of other artists you’ve probably listened to while dancing, shopping, making out, or waiting on hold over the past decade. (And it’s not just American pop music that has Scandinavian fingerprints all over it: When Azerbaijan won the Eurovision contest in a 2011 upset, they did it with a song written for them by two Swedes.)

If Americans are aware of this phenomenon, it is probably because they’ve heard about the legendary Swedish producer and songwriter Max Martin. There are any number of ways to express Martin’s ubiquity, but here’s one: From 2010 to 2011, the pop idol Katy Perry spent an unprecedented 69 consecutive weeks in the Billboard top 10, surpassing the previous record-holder, the 1990s Swedish group Ace of Base, by four months. But the milestone was far more of a testament to Martin’s staying power than Perry’s: Not only did he help produce and write all but one of Perry’s record-breaking string of hits, but he began his career as a producer for Ace of Base. Max Martin has produced more number-one songs than anyone besides George Martin, the so-called fifth Beatle.
Yes, fascinating stuff. But I already knew this since I've been following the Swedish music scene closely since the 1990s, when Max Martin's mentor Denniz Pop was producing and writing songs for talented super stars like E-Type, Dr. Alban, Backstreet Boys, Britney Spears, N'Sync, Ace of Base, etc.

It's important to point out, though, that while the talent came from Sweden, the power stayed in jewish hands. For example, look at the following quote from the article in the OP:

Quote:
In the mid-1990s, the great American art of teen pop was being reinvented in Central Florida. The Backstreet Boys, ’N Sync, Britney Spears: All these acts came out of Orlando, through various connections to Walt Disney World and the manager Lou Pearlman. But their hit singles came out of Cheiron. The days when “I Want It That Way” and “...Baby One More Time” dominated the American charts marked the onset of what became known as the Swedish “music miracle.”
The jewish record producer Lou Pearlman embezzled huge sums of money, and amazingly he was caught and sent to prison for it. (Most jews usually get away with their countless crimes.)

Quote:
Louis Jay Pearlman (June 19, 1954 – August 19, 2016) was an American record producer, con artist and fraudster. He was the manager of successful 1990s boy bands such as Backstreet Boys and NSYNC. In 2006, he was accused of running one of the largest and longest-running Ponzi schemes in history, leaving more than $300 million in debts. After being apprehended, he pleaded guilty to conspiracy, money laundering, and making false statements during a bankruptcy proceeding. In 2008, Pearlman was convicted and sentenced to up to 25 years in prison.[3][4] He died in federal custody in 2016. (...) the only child of Jewish parents
https://en.wikipedia.org/wiki/Lou_Pearlman

Pearlman was also a (homo)sexual predator who molested the boys whose careers he was supposed to advance:

Quote:
New Report: Boy Band Guru A Predatory Pedophile


Lou Pearlman - the hog-fat, boy-band honcho who created *NSYNC and the Backstreet Boys and launched the careers of Justin Timberlake and Nick Carter - was a pervy pedophile who preyed on the young men he mentored, Vanity Fair reports.
(...)
Mooney said he once asked Pearlman, who was known as “Big Poppa,” what it would take for him to get into a band. “I’ll never forget this as long as I live. He leaned back in his chair, in his white terry cloth robe and white underwear, and spread his legs,” Mooney told Burrough. “And then he said, and these were his exact words, ‘You’re a smart boy. Figure it out.’
https://www.huffpost.com/entry/new-r...4?guccounter=1

Quote:
Mad About the Boys


Until he fled the country in January, accused of embezzling more than $300 million, Lou Pearlman was famous as the impresario behind the Backstreet Boys and ‘NSync. Turns out his investors weren’t the only victims, colleagues reveal: Pearlman’s passion for boy bands was also a passion for boys.
(...)
Some, especially the teenagers, shrugged and giggled when he showed them pornographic movies or jumped naked onto their beds in the morning to wrestle and play. Others, it appears, didn’t get off so easily. These were the young singers seen emerging from his bedroom late at night, buttoning their pants, sheepish looks on their faces. Some deny anything improper ever happened. But the parents of at least one, a member of the Backstreet Boys, complained. And for any number of young men who sought to join the world’s greatest boy bands, Big Poppa’s attentions were an open secret, the price some paid for fame.

“Some guys joked about it; I remember [one singer] asking me, ‘Have you let Lou blow you yet?’” says Steve Mooney, an aspiring singer who served as Pearlman’s assistant and lived in his home for two years. “I would absolutely say the guy was a sexual predator. All the talent knew what Lou’s game was. If they say no, they’re lying to you.”
https://www.vanityfair.com/news/2007/11/pearlman200711

Lou Pearlman. "Trust me."










Last edited by Stewart Meadows; July 30th, 2019 at 03:56 PM.
 
Old July 30th, 2019 #3
Stewart Meadows
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The music industry is thoroughly jewish, despite a couple of talented Swedish songwriters and producers like (the late) Denniz Pop and Max Martin (although some people have suggested that the latter might actually be a Swedish-born jew). Here's a good VNN thread about how jews are responsible for the anti-white rap/hip-hop garbage:

Jews Behind Obscene & Degenerate Rap and Hip-Hop

https://vnnforum.com/showthread.php?t=66293

An excerpt:

Quote:
Jews Control Hip-Hop


(...) Considering Jews in hip-hop is kind of like finding a stoop sale with a couple of interesting eye-catchers on the sidewalk, and a trove of far more significant treasures further up the stairs. The eye-catchers are the usual suspects-- the Beastie Boys, Remedy of the Wu-Tang Clan, Blood of Abraham, Paul Barman-- MCs whose skills vary and whose Jewishness defies the hip-hop norm. But, their presence on wax is nothing compared to what goes on behind the scenes. Indeed, some of the biggest names in the business are Jewish-- Lyor Cohen of Def Jam, Steve Rifkind of Loud Records, David Mays of The Source-- to say nothing of those who course throughout the industry as label executives, entertainment lawyers, agents, publicists, producers, clothiers, and jewelers. An inquiry to one inevitably references five more: Oh, have you talked to Gottleib at FUBU? Or Sonenberg who handles Wyclef? The Jewish presence in hip-hop is huge, and, for the most part, offstage.




And this is the result:









 
Old August 1st, 2019 #4
Stewart Meadows
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The brilliant Eric Striker has written an excellent article about the jews who are responsible for Miley Cyrus's extremely disgusting behavior. Here are some excerpts:

Quote:
Eric Striker – The Devil Has A Name: Who’s Behind Miley Cyrus’ Antics


(...) From circa 2006 to 2011, millions of families throughout our globalized world gathered in front of the Jude-tube to watch the teenage tribute to materialism, feminism, and ugly careerism known as Hannah Montana. The family the show follows is a crude stereotype of the “country bumpkin” Billy Ray worked hard to cultivate and transform into a profitable niche, but in spite of all the passive propaganda (including Miley Cyrus herself claiming it was patterned after Sex in the City, minus the sex ), the show was mostly free of pornography, gore, and suggestiveness–a rare find for parents in the 21st century.
(...)
The Annie Liebovitz controversy was an important signal to the Jewish establishment regarding the lack of responsible supervision over Miley Cyrus, and her potential as a vehicle for aggression in their war against mankind. When Hannah Montana came to an end, and Cyrus’ music career began to wane, she signed with the Jew manager Larry Rudolph, and her behavior has gotten more bizarre and viscerally offensive ever since.

Rudolph has specialized in “rejuvenating” the careers of child stars. The sleazy Ashkenazi pimp, in fact, has been credited with the short-lived pop fad of Cyrus’ fellow ex-Disney channel star Britney Spears, who at barely 16 years of age premiered in the 1999 Baby One More Time , where the Jew Nigel Dick collaborated closely with Rudolph to feature the teenage girl gyrating invitingly in pig tails and an erotically tailored catholic school uniform begging men to “hit her” (the song itself was written and produced by almost certain Jew Martin Sandberg aka “Max Martin”, and was played on loop on MTV and the radio until it grew on America’s young shiksas).

The media masters, it appears, get people like Spears and Cyrus into your living room by introducing them as sweet and innocent kids, then once children start looking at them as role models, suddenly “grow them up”. We all know how Spears ended up, and she was eventually retired after a very public and humiliating psychological break down–it is this, not just profits, that Jews seek for the masses.
https://finesetinitiaheadlines.wordp...-cyrus-antics/

Quote:
With Rudolph at the helm, Cyrus was trained by his people in the art of cultural decline. Millions of impressionable young girls who had followed Cyrus since her Hannah Montana days were subjected to something alien, crude, undignified, and primitive. Unsurprisingly, Cyrus’ “twerking” act was not a lapse in judgment, but in fact, meticulously choreographed by what Esquire Magazine describes as a “hip young Jewish woman from Brooklyn” named Diane Martel.

Reactions to Miley Cyrus performing a public sex act with subhuman ecstacy, where her tongue was fully out of her mouth the entire time she was being dry humped in front of millions, were largely negative. Even outraged blacks, accustomed to seeing such behavior, like “Charlamagne Tha God”, said: “Why you wanna be on this nigga side so bad? I’m trying to cross over.”

Esquire extrapolates in between the lines on the political agenda behind the performance:

“Miley’s application for a hood pass and desire to “corrupt” a nation full of young, white girls to back that thing up has many folks scratching their heads.”

The Jew Martel is no stranger to “tha game”, she experimented first on American negroes without their knowledge by creating the “look and feel of hip-hop’s cultural iconography in the 90s”, and was behind many famous videos that established the “urban aesthetic” of rappers like Wu-Tang Clan, Redman, and Mary J. Blige.

Esquire continues:

“Martel invented Miley’s street cred by reconstructing the manic claustrophobia of Wu-Tang’s late, great ODB, and transporting it to the mansion-sized, Laurel Canyon circle-twerk bacchanal of Cyrus’s “We Can’t Stop” .

Diane Martel was also the architect behind Miley Cyrus’s 2013 VMA performance.”
http://praxis-mag.blogspot.com/2016/...ind-miley.html

And here's the quote about jew shitbag Martel from Esquire:

Quote:
Despite the fact that she is five years into an active AARP membership, Madonna joined Miley Cyrus onstage last night during her MTV Unplugged performance of her twerk-allegiance* anthem "We Can't Stop." As they pushed the softcore envelope with various bumps and grinds, it looked as if Madonna had passed her agent-provocateuress torch to Cyrus
(…)
You can lay the blame of this person twerking on visionary choreographer and filmmaker Diane Martel, the niece of the late legendary New York City theater producer Joseph Papp. Martel is a hip young Jewish woman from Brooklyn,
https://www.esquire.com/entertainmen...rus-blackface/


This is what happens when jews manage to brainwash your children:















"With Rudolph at the helm, Cyrus was trained by his people in the art of cultural decline. Millions of impressionable young girls who had followed Cyrus since her Hannah Montana days were subjected to something alien, crude, undignified, and primitive."

Indeed.
 
Old August 4th, 2019 #5
Stewart Meadows
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Miley Cyrus's disgraceful "career" is a very good example of how evil jews are. It's one thing if a beautiful female singer uses her natural femininity and sex appeal to sell records, but what Miley has been doing (walking around on the stage with a strap-on, shoving her face into a fat negro's ass, etc.) is so sick and disgusting that no normal man could ever find it appealing. These are things that could only come from the twisted mind of a jew.
 
Old August 5th, 2019 #6
Stewart Meadows
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Now let's take a look at the "rapper" Danielle Bregoli a.k.a. Bhad Bhabie (pronounced "bad baby"), an incredibly trashy, attention-whoring, half-jewish, half-Italian teenage girl who became famous after appearing on an episode of Dr. Phil where she bragged about the crimes that she had committed, while speaking with a ghetto negro accent.

Here's an excerpt from the episode, which is called "I Want To Give Up My Car-Stealing, Knife-Wielding, Twerking 13-Year-Old Daughter Who Tried To Frame Me For A Crime":


When jews saw her disgraceful performance they were thrilled and decided to make her a rap star and a role model for Western girls:

Quote:
Danielle Bregoli (born March 26, 2003), better known by her stage name Bhad Bhabie (pronounced "bad baby"), is an American rapper and internet personality. She became known for the viral video meme and catch phrase "cash me outside, how 'bout dah?" after appearing on an episode of Dr. Phil in September 2016.[2] In 2017, Bregoli became the youngest female rapper ever to appear on the Billboard Hot 100 chart with her debut single "These Heaux".[3] She subsequently signed a record deal with Atlantic Records.[4]
https://en.wikipedia.org/wiki/Danielle_Bregoli

Here's the horrifying result:



And the person responsible for it is the music mogul Adam Kluger:

Quote:
'I'll make you a star': How a controversial music executive transformed 'cash me ousside' girl into a Billboard-nominated rapper as everyone - including his own mother - told him he was mad


The music executive who turned Danielle Bregoli from the 'cash me ousside' girl in to a Billboard nominated artist in less than two years says even his own mother didn't think he could do it.

Bregoli, 15, is best known for her September 2016 appearance on Dr Phil, where she threatened to fight her mother on national television before turning on the audience, telling them to 'cash me ousside'.

Then aged 13, she was sent to a live-in rehabilitation center to deal with her issues. Just days after her release, music mogul Adam Kluger was at her door, telling Bregoli: 'I'll make you a star', The New York Times reported.
(...)
Kluger became involved in the music industry in 2008, working with stars including Lady Gaga, Christina Aguilera and Flo Rida.

He built a career on fostering deals between stars and brands. He set up clothing label Vixens Visions with Lady Gaga, Aguilera and the Oranum psychic hotline, Flo Rida and the porn site Live Jasmin.
(...)
Since teaming up with Kluger, Bregoli's 15 minutes of fame have turned into nearly three years, with the now 15-year-old about to embark on a European tour and nominated for top female rapper at the Billboard music awards
https://www.dailymail.co.uk/news/art...ed-rapper.html

Adam Kluger:



 
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