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Old October 24th, 2021 #2201
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Newell Convers Wyeth Buttonwood Farm
 
Old October 24th, 2021 #2202
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Alfred Richardson Barber Rabbits Feeding
 
Old October 24th, 2021 #2203
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Attributed to Joseph Wolf (German, 1820-1899), A Gyrfalcon in an Extensive Mountainous Landscape
 
Old October 24th, 2021 #2204
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Bryan Haynes Valley of Five Lakes
 
Old October 24th, 2021 #2205
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A swarm of locusts. Lithograph by an unknown artist, from the book, Brehms Tierleben, vol. 9, 1900.
 
Old October 24th, 2021 #2206
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Pierre de Clausade River Landscape
 
Old October 25th, 2021 #2208
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Rafael Romero Barros Still-life with Oranges
 
Old October 25th, 2021 #2209
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Karl Josef Kuwasseg Mountain Landscape
 
Old October 25th, 2021 #2210
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Fred Cecil Jones Chimney Stacks And Winding Ways, Whitby, 1936
 
Old October 25th, 2021 #2211
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Alfred William Parsons When the chill rain begins at shut of eve in dull November
 
Old October 26th, 2021 #2212
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Ernest W. Watson January, 1947, color linoleum cut on paper, Smithsonian American Art Museum.
 
Old October 26th, 2021 #2213
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Eva Auld Watson Gulls and Spray, color linoleum cut on paper.
 
Old October 26th, 2021 #2214
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William-Adolphe Bouguereau Far from home
 
Old October 26th, 2021 #2215
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Thomas Girtin Bamburgh Castle, Northumberland
 
Old October 26th, 2021 #2217
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Maggie Vandewalle Bird’s Eye View.
 
Old October 26th, 2021 #2218
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Friedrich Wilhelm Kuhnert The Man Eater
 
Old October 27th, 2021 #2219
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Quote:
Caspar David Friedrich


Caspar David Friedrich (5 September 1774 – 7 May 1840) was a 19th-century German Romantic landscape painter, generally considered the most important German artist of his generation.[2] He is best known for his mid-period allegorical landscapes, which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".


Georg Friedrich Kersting, Caspar David Friedrich in his Studio (1819), Alte Nationalgalerie, Berlin. Kersting portrays an aged Friedrich holding a maulstick at his canvas.

https://en.wikipedia.org/wiki/Caspar_David_Friedrich



















 
Old October 30th, 2021 #2220
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Frants Henningsen “Abandoned”
 
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