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Old August 21st, 2021 #1
alex revision
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Default ‘Wait til they see Hamlet!’: Brits mad after Globe Theatre warns of ‘upsetting’ themes in Romeo & Juliet & offers helpline number

‘Wait til they see Hamlet!’: Brits mad after Globe Theatre warns of ‘upsetting’ themes in Romeo & Juliet & offers helpline number


Aug 20, 2021

In a bizarre move, labelled “woke” by some, London’s historic Globe Theatre has decided to warn attendees about the potentially “upsetting” themes in Shakespeare’s ‘Romeo and Juliet’ and provide viewers with the Samaritans number.

Audience members for a new adaptation of William Shakespeare’s tragic love story, ‘Romeo and Juliet’, at London’s Globe Theatre, are being given the number of a mental health helpline and warned about the potentially disturbing scenes that await them, The Sun reported on Thursday.

This production contains depictions of suicide, moments of violence and references to drug use. It contains gunshot sound effects and the use of stage blood,” the warning reads. Viewers are told to contact the theatre’s box office team if they have any further concerns.

https://www.rt.com/uk/532606-london-...kespeare-woke/
 
Old August 21st, 2021 #2
Ray Allan
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A nigger Hamlet? No thanks.
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Old August 22nd, 2021 #3
Joe from OH
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The Professional-level Theater has been completely ruined over the past couple of decades.

It's a 100% jew/homo/deracinated white production everywhere. These miscreants are so arrogant that they can't even reproduce great plays which have endured time without altering the scripts to suit their faggot/anti white agendas.

Community theater provides the only palatable productions anymore.
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Old August 22nd, 2021 #4
Ole Massa
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Quote:
Originally Posted by Ray Allan View Post
A nigger Hamlet? No thanks.
Yes, that is more upsetting than anything.
 
Old 4 Weeks Ago #5
Mick Walker
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Old 4 Weeks Ago #6
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Quote:
Originally Posted by Ray Allan View Post
A nigger Hamlet? No thanks.
It's a nigger Romeo, and from that picture looks like there's a white chick. Probably Juliet.

That's the staging jew dogs dream of.
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Old 1 Week Ago #7
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The new Annie is a coon.
 
Old 1 Week Ago #8
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Quote:
Originally Posted by Gladiatrix View Post
It's a nigger Romeo, and from that picture looks like there's a white chick. Probably Juliet.
so to the losers who are todays "Brits".. fake blood and drug use is upsetting..
promoting a nigger with a human female relationship is not..

the audience will be some old whites, the rest Indians and Chinese..

oh wait, Shakespeare is now re-iimagined as a nigger as well, thats why he is not in down the Memory Hole of Dead White Males..

but hey it aint all bad.. yea everything is more nigger by the day and whitey in Britain is gonna be extinct but at least they do NOT speak German there..
 
Old 1 Week Ago #9
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Quote:
Fade to Black


Jack Antonio • July 31, 2020



YOU FLY into London on a British Airways plane on which you are shown an animated film about safety. It stars a cartoon Black man with his cartoon White wife and their cartoon mixed-race child. You pass through immigration control and are poked and probed by Brown people wearing hijabs and turbans who jabber at you in an unintelligible version of the English language. Heading for the tube you pass a poster that shows a Black woman dressed in Elizabethan garb beckoning you to the Globe Theatre.

On the ride into town you see posters for the latest West End plays. There are productions of Shakespeare’s Richard II and Henry V starring Black women in the title roles. (The critics rave that these classic plays finally make sense.) There is also an Asian actor playing David Copperfield and Christmas pantos starring Blacks and Asians as Cinderella, Dick Whittington, and Snow White. Next to the entertainment ads are those for mortgages and mattresses all featuring Black men with White women. And, they are almost always blonde women.

You get home, put your feet up in front of the TV and notice that there are an unusually large number of Brown people on the streets of Victorian London as depicted in the BBC’s latest version of A Christmas Carol. And the villages of Midsomer are teeming with more people-of-color than your local benefits office. Even Doctor Who is suddenly a Black woman! You channel surf and are confronted by Black vikings, Black centurions, Black Tudors and an Asian King Arthur!

The news is read by a Brown person. The weather is given to you by a Brown person. Your favorite gardening program is presented by a Brown person. The Brown person presenting your favorite wildlife program explains without a trace of irony the danger of extinction faced by native fauna and flora due to the invasion of alien species.



A typical example of the “colour-blind” casting was the 1997 Disney adaptation of Cinderella — in which a negress Queen (played by Whoopi Goldberg) — and a White king somehow managed to have a Filipino son, who ends up married to a negress Cinderella.

In disgust, you turn off your TV and browse through the latest brochure from the National Trust. But something is odd — most of the people shown wandering around the stately homes of England are Brown. The mothers of the large, happy families in the photos wear Muslim or Hindu garb. The only White faces are those of blonde women holding hands with Black men and their mixed-race children.

Meanwhile, your teenage son is in his room playing a new computer game set in World War I. But, in this version of the Great War, the trenches look like a Saturday night in Brixton and the game’s logo is the face of a Black Tommy. You wonder if you have slipped into an alternate universe or are dreaming. But you aren’t dreaming. You are living through a waking nightmare. And I can tell you why.
(...)
The Cultural Marxist octopus has many tentacles and has been at work in all the arts for many decades. As a child in 1950s America, I saw early attempts at “color-blind” casting. But, in the 1960s, the prominent New York theatrical producer Joseph Papp started pushing non-Whites big time in his Shakespearean productions in Central Park. (You will not be surprised to learn that Papp was a Jew.) I suffered through many productions of Romeo and Juliet with a Black Romeo and a White Juliet. Or a Black Macbeth and White Lady Macbeth. The audience “wasn’t supposed to notice” these racial absurdities and anyone who did was a “racist.” So, most people pretended not to notice — and they still do.
(...)
But, shouting “commercial considerations be damned”, the Cultural Marxists have doubled down in Britain and are putting propaganda ahead of profit. The British Film Institute (BFI), which bestows crucial funding to film projects, fell into the tentacles of one Josh Berger, an American Jew with a long Hollywood history.

Under Berger’s malevolent influence the BFI has mandated higher levels of BAME. Any production that does not meet the set levels will be denied funding and thus any chance of distribution or awards. It will be dead. So, producers genuflect to globohomo and grind out the anti-White, anti-heterosexual, anti-Christian propaganda that pollutes our screens. Adding insult to injury, we are paying for this filth because the majority of the BFI’s money comes from the UK taxpayer!
(...)
I have starred in many TV commercials for top brands that were broadcast worldwide. I assure you that it isn’t merely fashion or whim that matches so many Black men with White women. In a thirty second commercial every second counts and nothing appears on screen by chance. I have seen directors, clients and cameramen almost come to blows in arguments over the color of my shirt. How much more debate has gone into the color of the actor’s skin?

No, these racial pairings are not accidental but are blatant attempts to break down the resistance to race-mixing from all races. Listen to Black talk radio programs and you will hear Black women weep that Black men are encouraged to get blondes. In fact, Black nationalists (our mirror image and possible allies) believe that race-mixing is the ultimate sin. And we know what happens to Asian girls who race-mix. But, as with films, the Cultural Marxists don’t give a damn and plow on, sacrificing profits for propaganda.
(...)
https://www.unz.com/article/fade-to-black/
 
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